Landis
10-07-2004, 12:18 AM
In a number of recent posts in various places, it's clear to me there there are members who do not understand how using the Histogram feature in your cameras can really help you attain better photographs that have a proper range of exposure intensities. I shall do my best to shed some light on this.
First of all, you need to understand how digital images can be and cannot be changed. If you blow out a high light by over exposing your shot, you will have pure white areas in your file that will NEVER be able to have any detail in them. On the other side, if you have an area that is too dark, there IS salvagable informating hidden in there.
Just about all digital cameras have somewhere in the Menu a place that allows you to visualize how much light your image has in it. This is called the Histogram, which is nothing more than a graph of your image that shows how many pixels your image has for different intensities of exposure. On every one I have seen, Black is on the left and White is on the right. This is the same information you will see in Photoshop if you go to: Image > Adjustments > Levels. For this discussion, I will show you Levels, as I don't know how to transfer the actual histogram from my camera to this.
Attached is my screen shot of three different Histograms:
Left image - This is a flat image that has some blown out highlights (right side) that peg out on the pure white levels. If your histogram on your camera looks like this, give it less exposure, or close down your aperture about 1/2 stop.
Middle image - This is a proper exposure that shows no pure blacks and not pure whites. This actually could be spread out slightly more, but this will print properly.
Right image - This is an underexposed image. There is too much in the black limit and little in the highlight side. This can be salvaged, but it would be better if it was giving about 1/2 stop more exposure to begin with.
OK, where is your Histogram hiding: It should be a part of your Image Preview. Go there and hunt around for the options like "Priview with Histogram" or something like that. It's been on every digital camera I have seen, so chances are you have that option. My little Canon S400 has it and I know all DSLR's have it. I always have mine set to Preview with Histogram.
When you are outdoors taking, say a landscape shot, in most cases, using Auto Exposure, your camera will hunt for shadows, and expose for them therefore blowing out the highlights. What you think is going to be a nice blue sky turns white.
Everyone has their methods for determining exposures, but as I shot B&W film for over 40 years, I always Exposed for the highlights and let the shadows fall where to may. Just about any normal outdoor image will never have over 7 f stops of variance (not counting spectural highlights off chrome, etc). B&W film has a latitude of 7 stops, so you need to get the highlights in there. Digital has about 5 to 5-1/2 stop latitude, so you have to be a little more exact on where your exposure lands.
You can always run a Shadow Recover Action with Photoshop to bring out the detail that is hidden in the shadows. Overexposed highlights have ZERO in them.......gone.......nothing is there and never will be there.
So, when you are shooting, check that Histogram!!! If you see it's off, use your exposure compensation feature on your camera to compensate and reshoot to get that perfect Digital Negative!!
I hope this helps some of you.
First of all, you need to understand how digital images can be and cannot be changed. If you blow out a high light by over exposing your shot, you will have pure white areas in your file that will NEVER be able to have any detail in them. On the other side, if you have an area that is too dark, there IS salvagable informating hidden in there.
Just about all digital cameras have somewhere in the Menu a place that allows you to visualize how much light your image has in it. This is called the Histogram, which is nothing more than a graph of your image that shows how many pixels your image has for different intensities of exposure. On every one I have seen, Black is on the left and White is on the right. This is the same information you will see in Photoshop if you go to: Image > Adjustments > Levels. For this discussion, I will show you Levels, as I don't know how to transfer the actual histogram from my camera to this.
Attached is my screen shot of three different Histograms:
Left image - This is a flat image that has some blown out highlights (right side) that peg out on the pure white levels. If your histogram on your camera looks like this, give it less exposure, or close down your aperture about 1/2 stop.
Middle image - This is a proper exposure that shows no pure blacks and not pure whites. This actually could be spread out slightly more, but this will print properly.
Right image - This is an underexposed image. There is too much in the black limit and little in the highlight side. This can be salvaged, but it would be better if it was giving about 1/2 stop more exposure to begin with.
OK, where is your Histogram hiding: It should be a part of your Image Preview. Go there and hunt around for the options like "Priview with Histogram" or something like that. It's been on every digital camera I have seen, so chances are you have that option. My little Canon S400 has it and I know all DSLR's have it. I always have mine set to Preview with Histogram.
When you are outdoors taking, say a landscape shot, in most cases, using Auto Exposure, your camera will hunt for shadows, and expose for them therefore blowing out the highlights. What you think is going to be a nice blue sky turns white.
Everyone has their methods for determining exposures, but as I shot B&W film for over 40 years, I always Exposed for the highlights and let the shadows fall where to may. Just about any normal outdoor image will never have over 7 f stops of variance (not counting spectural highlights off chrome, etc). B&W film has a latitude of 7 stops, so you need to get the highlights in there. Digital has about 5 to 5-1/2 stop latitude, so you have to be a little more exact on where your exposure lands.
You can always run a Shadow Recover Action with Photoshop to bring out the detail that is hidden in the shadows. Overexposed highlights have ZERO in them.......gone.......nothing is there and never will be there.
So, when you are shooting, check that Histogram!!! If you see it's off, use your exposure compensation feature on your camera to compensate and reshoot to get that perfect Digital Negative!!
I hope this helps some of you.